Film & Television

Canon EOS C500 Is Up To Speed With Need For Speed

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Canon Collaborations: The EOS C500 PL Configured By The Human VoiceCrew

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News

  • July 25, 2014 | HDVideoPro

    Behind the Scenes on Homeland

    DP David Klein, ASC capture the popular Showtime series with Canon Cinema glass. Below is a cool behind the scenes video from the camera department of Homeland.

  • June 11, 2014 | ProductionHUB

    Canon's Jesse Mineo Does Interview At 2014 Cine Gear LA Expo

    Jesse Mineo discusses the Cinema EOS Line of compact, modular cameras designed specifically for cinematography applications, featuring Canon's unique Super 35mm CMOS sensors at Paramount Studios.

  • June 10, 2014 | CreativeCOW

    Canon Cinema EOS C300 Cameras and EF-Series Lenses Deliver Championship Performance

    Director Josh Greenbaum’s acclaimed feature documentary “The Short Game” profiles eight talented and engaging young competitors at The World Championships of Junior Golf, in Pinehurst, North Carolina.

  • May 29, 2014 | News|Shooter

    Canon C300 Dual-Pixel CMOS AF Upgrade Available Imminently

    Canon C300 owners no longer have to be envious of the Dual-Pixel CMOS AF upgrade on the baby C100.

  • May 9, 2014 | The Hollywood Reporter

    Cannes: Behind the Scenes of Sophia Loren-Starrer 'The Human Voice'

    Director Edoardo Ponti and cinematographer Rodrigo Prieto describe the film using the C500.

  • May 6, 2014 | TV Technology

    Showtime Chooses Canon for "Years of Living Dangerously"

    Canon EOS C300 cameras and EF=Series and CN-E series lenses chronicle climate change.

  • May 1, 2014 | Sports Video Group

    New Canon Servo Lens Enters the Ultra-Slo-Mo Ring with HBO Sports, Inertia Unlimited

    Canon’s new CN7x17 KAS Cine-Servo lens made its way onto its first live sports production, as part of a new integration with Inertia Unlimited’s X-Mo Blue ultra-slo-mo–camera system on HBO’s coverage of the Pacquiao-Bradley WBO Welterweight title fight. The Canon Servo lens was used on an Inertia Unlimited X-Mo robotic-camera system ringside at the fight.

  • May 1, 2014 | AbelCine

    ProRes Recording with the Canon C500 & PIX240i

    In his HD formats series, Andy writes about bit depth and 8-bit versus 10-bit, and begins by going over the difference between 10-bit and 12-bit. As Andy also explains chroma subsampling as a method utilized to reduce color resolution without reducing overall resolution.

  • May 1, 2014 | AbelCine

    At the Bench: C500 & Odyssey7Q 4K Raw/HD Recording

    Andy Shipsides explain how to get set up for simultaneous 4K/HD recording, as well as how to handle LUTs. With the current firmware, the Odyssey7Q can record the HD output of the C500 in ProRes compression, and we can expect to see a ProRes 4K recording option in a future firmware release.

  • May 1, 2014 | AbelCine

    At the Bench: C500 & Odyssey7Q 4K Raw/HD Recording

    Andy Shipsides explain how to get set up for simultaneous 4K/HD recording, as well as how to handle LUTs. With the current firmware, the Odyssey7Q can record the HD output of the C500 in ProRes compression, and we can expect to see a ProRes 4K recording option in a future firmware release.

Events