Canon's newest fixed length L-series lens, the EF 24mm f/1.4L II USM, incorporates the newest in Canon lens technology for spectacular sharpness and impressive performance at all settings. It features two high-precision, large-diameter aspherical lenses for sharpness across the sensor, even in peripheral areas of full-frame sensors. Lens elements have a newly-designed anti-reflective SWC (Sub Wavelength Coating) that departs from conventional coatings by using an extremely fine structure that minimizes ghosting and flaring across the lens surface, regardless of the angle with which light enters or exits. It also features two UD lens elements to minimize chromatic aberrations, incorporates rear-focusing, ultrasonic, quiet and high-speed AF with full-time manual override. A circular aperture provides beautiful out-of-focus detail and offers legendary dust- and water-resistant L-series construction using only lead-free glass.
This Lens Is Worth Every Penny!
I have been researching this lens for quit some time. I have seen many sample photos on the photography forums. The reason I decided to buy this lens was because of the versatility and sharpness of each shot. The auto focus is very fast and consistant. The colors straight out of the camera are very vibrant and need only minor adjustment in post processing. I am very happy with this lens and would recommend it to any professional or even enthusiast photographer. You definetly get your money's worth with the 24L II lens!!!
July 29, 2010
A small space workhorse
This lens has served me well in small spaces for 3/4 and full-body portraits. It has allowed also for effective use of shalllow depth of field as a compositional element. Whether with natural light or strobes, this lens has not presented any sort of limitation in terms of framing or of photographic composition generally.
With wide-angle lenses, certain distortion is not unexpected--particularly at closer distances to one's subject--but it is also not an issue if, for example, one shoots RAW and makes appropriate corrections in post-processing. As shooting with this lens may not be necessarily a "point and shoot" undertaking, skill sets
may have bearing on individual results.
I find the 24mm f/1.4 II USM to be a tremendous lens, and I cannot imagine not having it in my kit.
April 18, 2014
A super rad lens
I wasn't sure about purchasing this lens at first due to the steep price tag but am really glad now that I did. This lens can be described in one word, Quality. Exceptional quality throughout the optics, build, design and AF to be more specific. The color of this lens is the best I've seen in any lens. The contrast and clarity is super deep and nicely defined. The sharpness is very well kept fully open and, when stopped to 4, is perfect. The light fall-off is pretty hard fully open but obviously your camera/PS can correct that pretty well and mostly goes away when stopped down a decent amount. The distortion is very minimal and easily corrected also. The build quality I absolutely love, very solid metal body, weather sealing and just good all-round feel. I dropped it onto a very hard floor from about 2.5 feet and it still works fine (obviously an accident). I wish the lens hood was metal though, but what are you gonna do. If you want a lens in this length and are debating the price, just go for it, you'll be happy.
August 30, 2013
Way too expensive
For this price, I would expect a much better lens.
Sharpness is very poor at the frame corners, unless you stop down to at least f/2,8.
Vignetting is as visible as in much cheaper and older lenses.
Built quality is excellent and distortion is very well controlled, but that's not enough to justify this price.
At present, the 24/2,8 IS is probably a better purchase for most people.
May 21, 2013